Skip to main content

Developing Minds: Visual Events

 

Questions:

  • In the text, Professor Burton points out that "children at this age are thought to be at the height of their curiosity and imaginative powers," yet "stereotypic imagery, paucity of imaginative content, even disenchantment with the whole enterprise of creating art often emerges during this time." Why does that happen?
  • How do these phases of artistic development relate to Art Therapy and its practices? Do therapists use the phases as a way to evaluate clients? How do the phases and need for therapy connect?
  • Does the art show evidence of emotional phases children are in and does it offer tools for regulation that help with emotional needs and artistic development?

Noticings:

  • Professor Burton points out how materials guide what is being shown or the message. I wonder if that's the tactic of adult artists as well. Are there artists that showcase and express through material mostly? 
  • Phases seem to go from "scribbles," to directionality, to enclosures, to general identifiers to personalization and "mine" items to acknowledging the importance of pictorial space to relationships of items on a page. 
  • I picked up on the constant "the need to..." statements which allow for children to gain technique to push them to the next phase. I gather that this need is irregular but necessary in the evolution of artistic development. It is incumbent upon me to foster those needs. 


Strategies/ Application: 

  • Explorative conversations are key. Setting up students to dialogue before they do the work is a new concept for me. I am excited to try the visualization process. 
  • The Steps:
    • Highlight the Topic
    • Present Possibilities (to get them revved)
    • Dialogue Around Other Possibilities
    • Visualize
    • Make Connections
    • Conjour

Comments

Popular posts from this blog

The Bronx new school: Weaving assessment into the fabric of teaching and learning.

  Darling-Hammond, L., Ancess, J., & Falk, B. (1995). The Bronx new school: Weaving assessment into the fabric of teaching and learning. In,  Authentic Assessment in Action: Studies of Schools and Students at Work.   NY: Teachers College Press. Noticings: - The best curriculums are built around student interests, needs, and experiences.  - Comprehensive assessments have to be designed in order to guarantee quality education.  - Children are at the center of learning when we have plenty of opportunities to look closely at their thoughts, strategies, and skills.  Questions: - Why do our schools NOT pay closer attention to students' developmental milestones and phases? I truly only see that type of investigation and thoroughness with students with IEPs.  - What are the opportunities I possess as an educator coming into an already structured system that does not fully match my beliefs of pedagogical advances and meeting children's needs? - How can you design an assessment witho

Burton, J.M. Preface. Ch. 9. Early Adolescence: Ideas in search of forms

  Burton, J.M. Preface. Ch. 9. Early Adolescence: Ideas in search of forms This chapter gave a mixed assessment of children between the ages of 10-14 years old. My major take-away was how this period is an investigation of truth. Children are asking questions about themselves and the world around them. They are asking "serious" questions about life, connections, and hypocrisy. Due to the investigative mode (mindset) comic strips and doodling prove to be excellent forms of expression for thinking about topics, questions, streams of consciousness. Burton states that it is the "Stage of Reasoning" highlighted by Lowenfeld that is flanked by a shaky foundation of truth/reality and the need to use/relate to the culture and conditions of their circumstance.  The realization of multiple truths led me to my current unit for 8th grade. We are discussing topics such as race, privilege, (I don't know if "class" exists currently), and spirituality/religion. All to