Skip to main content

The Achievement of Form Concept

Questions:
  • Should I promote students, during this age/phase to detail the subject and the setting?
  • When is it appropriate to ask students to explain their work? 
  • If a student only draws one person, does that meant that they can only focus on that one person and not other objects or subjects? Should I prompt them to consider relationships? 
  • Does height matter ie the child's height? Does it play a role in perception and schema? 
  • Who determines what an exaggeration is?
  • What if there are such basic objects or routine occurrences that no longer are a focal of the child? How do we determine if they know to include those objects in their artwork?
  • Are there baselines in Lascaux drawings?
  • The idea of "storytelling" happening on one page makes me wonder if it happens due to the fact that children are only given one piece of paper? 
  • Are rough drafts or edits considered when thinking about the schema and growth of a child's artwork? 
  • How do I determine the difference between a lazy artist or an artist that is on a lower developing phase?
  • Why are variations called deviations?
  • What about the misuse of materials?
  • Materials has me thinking about remote learning. How do I assist in skill development when I am not in control of the material? 

Noticings:
  • Space + Self = Cooperation
  • More exposure to topics, subjects, ideas, objects can help inform the details of their artwork
  • Pay attention to what is emphasized and what has "intentional" detail. 
  • I should read this book "The Nature of Creative Activity"
  • Celebrate all of the little show-and-tells because it might build their creative impulses, especially if its an artwork of repetition. 
  • Topics:
    • We - Action - Where
    • Viewpoint
    • Sequence of Events
    • Inside/Outside
  • Study the Individual Growth Characteristics pertaining to Schematic Stage because this will allow us to better understand our students on a personal level. 
Applications/ Strategies: 
  • Activités to try: Drawings on the floor; everyone starts with one subject and we walk through an open-ended visual story; try out drawings from different viewpoints; Exquisites Corpse activities (self-paced); Abstract drawing exercises (turning the paper around) 
  • I want to teach based on the design elements and principles. I need a list of the innate nature/characteristics of each element and principle ie Movement is pattern. If a child just practices that baseline skill, it assists in their repertoire of movement/rhythm. 
  • I need to find a list of materials and better understand its "best uses" in order to give opportunities for technique training. Ie children who are young should use a crayon (specially a neutral color) as to practice form/shape. This will allow them to get good at noticing their good forms that go into assisting the next phase. 
  • Study the Individual Growth Characteristics pertaining to Schematic Stage because this will allow us to better understand our students on a personal level. 

Comments

Popular posts from this blog

Burton, J.M. Preface. Ch. 9. Early Adolescence: Ideas in search of forms

  Burton, J.M. Preface. Ch. 9. Early Adolescence: Ideas in search of forms This chapter gave a mixed assessment of children between the ages of 10-14 years old. My major take-away was how this period is an investigation of truth. Children are asking questions about themselves and the world around them. They are asking "serious" questions about life, connections, and hypocrisy. Due to the investigative mode (mindset) comic strips and doodling prove to be excellent forms of expression for thinking about topics, questions, streams of consciousness. Burton states that it is the "Stage of Reasoning" highlighted by Lowenfeld that is flanked by a shaky foundation of truth/reality and the need to use/relate to the culture and conditions of their circumstance.  The realization of multiple truths led me to my current unit for 8th grade. We are discussing topics such as race, privilege, (I don't know if "class" exists currently), and spirituality/religion. All to...

Developing Minds: Visual Events

  Questions: In the text, Professor Burton points out that "children at this age are thought to be at the height of their curiosity and imaginative powers," yet "stereotypic imagery, paucity of imaginative content, even disenchantment with the whole enterprise of creating art often emerges during this time." Why does that happen? How do these phases of artistic development relate to Art Therapy and its practices? Do therapists use the phases as a way to evaluate clients? How do the phases and need for therapy connect? Does the art show evidence of emotional phases children are in and does it offer tools for regulation that help with emotional needs and artistic development? Noticings: Professor Burton points out how materials guide what is being shown or the message. I wonder if that's the tactic of adult artists as well. Are there artists that showcase and express through material mostly?  Phases seem to go from "scribbles," to directionality, to encl...

The Arts and Re-Envisioning COVID-Era Schools

  The Arts and Re-Envisioning COVID-Era Schools By  Judith M. Burton